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King Lear is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear relinquishes his power and land to two of his daughters. He becomes destitute and insane and a proscribed crux of political machinations. The first known performance of any version of Shakespeare's play was on St. Stephen's Day in 1606. The three extant publications from which modern editors derive their texts are the 1608 quarto (Q1) and the 1619 quarto (Q2, unofficial and based on Q1) and the 1623 First Folio. The quarto versions differ significantly from the folio version.
The play was often revised after the English Restoration for audiences who disliked its dark and depressing tone, but since the 19th century Shakespeare's original play has been regarded as one of his supreme achievements.
Both the title role and the supporting roles have been coveted by accomplished actors, and the play has been widely adapted.
Sources
The first edition of Raphael Holinshed's Chronicles of England, Scotlande, and Irelande, printed in 1577.
Shakespeare's play is based on various accounts of the semi-legendary Brythonic figure Leir of Britain, whose name has been linked by some scholars[who?] to the Brythonic god Lir/Llŷr, though in actuality the names are not etymologically related.Shakespeare's most important source is probably the second edition of The Chronicles of England, Scotlande, and Irelande by Raphael Holinshed, published in 1587. Holinshed himself found the story in the earlier Historia Regum Britanniae by Geoffrey of Monmouth, which was written in the 12th century. Edmund Spenser's The Faerie Queene, published 1590, also contains a character named Cordelia, who also dies from hanging, as in King Lear.
Other possible sources are the anonymous play King Leir (published in 1605); The Mirror for Magistrates (1574), by John Higgins; The Malcontent (1604), by John Marston; The London Prodigal (1605); Montaigne's Essays, which were translated into English by John Florio in 1603; An Historical Description of Iland of Britaine (1577), by William Harrison; Remaines Concerning Britaine (1606), by William Camden; Albion's England (1589), by William Warner; and A Declaration of egregious Popish Impostures (1603), by Samuel Harsnett, which provided some of the language used by Edgar while he feigns madness.[6] King Lear is also a literary variant of a common folk tale, Love Like Salt, Aarne–Thompson type 923, in which a father rejects his youngest daughter for a statement of her love that does not please him.
The source of the subplot involving Gloucester, Edgar, and Edmund is a tale in Philip Sidney's Countess of Pembroke's Arcadia (1580–90), with a blind Paphlagonian king and his two sons, Leonatus and Plexitrus